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Continue reading →: Retro-Review: The Man Who Wasn’t ThereDespite its pastiche of the old Hollywood noirs, the themes of The Man Who Wasn’t There is in the vicinity with the middle-life crisis films prominent during the late 90s to early 00s. I was reminded a lot of American Beauty through the premise of a middle-aged man longing for new meanings within a…
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Continue reading →: Review: Showing UpIt’s therapeutic watching Michelle Williams gently tender her sculptures, or any artist in the film for that matter. What a joy it is to observe people work. The film opens with design sketches, ends with a finished gallery, and is filled with interstitial sequences of individuals working on their niche…
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If we consider the overview of the world of cinema as a map, then the voyage to connect the scattered dots in between is what we’re invested in. Serge Daney once described voyage as ‘without luggage, totally self-sufficient in his dispossession’. Being a citizen of world cinema is to abandon the luggage of predefined cultural expectations and meet each film and each filmmaker on their own cinematographic terms. If you are down for this journey, please consider subscribing to this travelogue.
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