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Continue reading →: Thoughts on From the World of John Wick: BallerinaIn case you have not noticed from its title, Ballerina is a spin-off from the John Wick franchise. As a fan of the franchise, rumours of extensive reshoots that loom over this film’s release were concerning. In turn, there is an awkward, synthetic quality in the final product, where the…
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Continue reading →: In Theatres: EephusOn Sunday, October 16th, Soldier’s Field welcomes two baseball rec teams, Battlers Paint and the Riverdogs, for their final match-up before the field will be closed down for the construction of a new school. Carson Lund’s debut feature, Eephus, dominated by its director’s quirky, offhand humour and an eccentric cast…
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Continue reading →: In Theatres: AprilIn complete darkness, a naked, disfigured monster slowly lurks in the distant background; offscreen, upbeat sounds of children cavorting juxtapose this discomforting off-kiltered composition. Next shot, a shower of rain pours onto the pavement until the accumulated water almost inundates the entire frame. A couple of shots later, the camera…
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Continue reading →: In Theatres: Bonjour TristesseAn endless summer of nothingness. Setting almost entirely within the resplendent seaside scenery showered with glistening sunshine, the newest adaptation of Françoise Sagan’s 1954 novel Bonjour Tristesse follows the aimless summer vacation of a young girl, Cécile (Lily McInerny). She spends all of her time sunbathing, swimming in the ocean, enjoying…
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Continue reading →: In Theatres: Mission: Impossible – The Final ReckoningDuring Ethan Hunt’s apocalyptic vision in Mission: Impossible – The Final Reckoning, the final film in the Mission: Impossible franchise, a series of nuclear missiles is launched by the Artificial Intelligence antagonist, the Entity. The first city he sees under attack is none other than Los Angeles, with the iconic…
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Continue reading →: The Periphery of the BaseIn the opening sequence of The Periphery of the Base, director Zhou Tao’s camera steadily observes the desert landscape, with the horizon in the middle of the frame. The wind is constantly howling, and the weather is shifting capriciously as the shadows cast by the sun emerge and disappear within…
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Continue reading →: The EelShōhei Imamura’s The Eel won the Palme d’Or at the 1997 Cannes Film Festival in a tie with Abbas Kiarostami’s legendary Taste of Cherry. Since then, there have been chatters that questioned this tie due to the gap in quality between the two films. The latter is now unanimously considered…
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Continue reading →: Diary of a Fleeting AffairDiary of a Fleeting Affair features a pair of lovers that commits to a non-commitment relationship. This ostensible paradox is the key to the film’s playful and human nature. The first scene of the film is a second encounter between the more timid and submissive Simon, who is married with…
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Continue reading →: Leila and the WolvesHeiny Srour’s docufiction hybrid quietly launched on the Criterion Channel at the start of this month. Before it’s streaming release, it had a run around the cinematheque circuit over the world. Thanks to the TIFF cinematheque, I had the opportunity to see it in theatres last month. At a museum…
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Continue reading →: In Theatres: SinnersMy initial expectation for Ryan Coogler’s Sinners was barely existent. As someone who has helmed nothing but legacy sequels and franchise projects since his debut feature, Fruitvale Station, I carry a vast amount of doubts towards whether he has enough authorial voice left within him for an original project such…






